Visionary Film has remained the standard text on the American avant-garde since the publication of its first edition in 1974. It has been hailed as the most complete work written on the exciting, often puzzling and always controversial genre of American avant-garde film. In this book P. Adams Sitney discusses the principle genres and the major filmmakers since Maya Deren and Al...(展开全部)

Back in the USSR: 250 film posters capture the cultural energy of the pre-Stalin era At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the pre-Stalin Soviet Union of the 1920s and 1930s to explore the energy and invention of this period, be...(展开全部)

彼得·比格尔（Peter Burger），1936年生，1971年起任德国不来梅大学法国文学与比较文学教授。著有《先锋派理论》、《现代主义的衰弱》、《唯心主义美学批判》、《中介一接受一功能》（论文集）和《艺术体制：现代德国文化与文学》（与克丽斯塔·比格尔合著）等。

彼得·比格尔（Peter Burger），1936年生，1971年起任德国不来梅大学法国文学与比较文学教授。著有《先锋派理论》、《现代主义的衰弱》、《唯心主义美学批判》、《中介一接受一功能》（论文集）和《艺术体制：现代德国文化与文学》（与克丽斯塔·比格尔合著）等。

斯坦•布拉哈格（Stan Brakhage，1933—2003）是一位极有影响力的美国独立电影人。在半个多世纪当中，他先后发行了四百多部原创影片，片长有的短至数秒，有的长达几小时，其中，《狗星人》、《亲眼所见的行动》、《但丁四重奏》是他最负盛名的影片。此外，他还撰写了几本有关电影的书籍，包括：《视觉隐喻》（1963）、《电影传记》（1977）以及《布拉哈格剪贴簿：1964-1980文选》（1982）。1986年，美国电影学会授予他“玛雅•德伦奖”，1989年，他又获得了“麦克道尔奖章”。他还是美国科罗拉多大学博尔德分校的电影学教授。

While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, po...(展开全部)

The Kantian Aesthetic explains the kind of perceptual knowledge involved in aesthetic judgments. It does so by linking Kant's aesthetics to a critically upgraded account of his theory of knowledge. This upgraded theory emphasizes those conceptual and imaginative structures which Kant terms, respectively, 'categories' and 'schemata'. By describing examples of aesthetic judgment,...(展开全部)

Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism.In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has for...(展开全部)